Get on the list to receive the season-documenting hardcover anthology, the Manifest Exhibition Annual (MEA s15).

Download to save or print the entire season 15 calendar here.

Submit work to open projects here.

Find your way to the gallery, (map) here.

Preview Reception: Thursday, December 13, 7-9pm
Public Opening: Friday, December 14, 6-9pm

main gallery

9th Annual TAPPED
Artists and their Professors

The relationship between art students and their professors can be a powerful one. Even when this bond is left unstated, we carry our professors' voices forward in time as we mature as artists and people. We eventually realize that the instruction given by our teachers during our relatively brief careers as students continues to expand within us. We realize that the learning they inspired is a chain-reaction process that develops across our lifetime. All of us who have been students carry forward our professors' legacy in one form or another. And those who are, or have been teachers, bear witness to the potency of studenthood.

Out of respect for this student-teacher bond, and in honor of professors working hard to help their students tap into a higher mind relative to art and life, we offer TAPPED, an annual exhibit that presents paired works by artists and their current or former teachers.

For this exhibit 92 artists from 27 states and Canada submitted 256 works for consideration. Fourteen works by the following 14 artists from 9 states (California, Illinois, Kentucky, Maryland, Michigan, Mississippi, Oregon, Pennsylvania, and Texas) were selected for presentation in the gallery and Manifest Exhibition Annual publication. The artists are listed in pairings to illustrate their teacher/student relationship. Works on view will include paintings, printmaking, drawings, sculptures, and photographs. The exhibition layout is planned so that each pair of artists' works will be shown side-by-side or in close proximity. Visitors will be able to enjoy the variety of types of works while also considering the nature of influence between professor and student.

It is worth noting also that a number of the artists in the 'former student' category are now themselves working as professors.

drawing room

NEW ENGLAND
Regional Showcase

In our first fourteen seasons Manifest's projects included works by artists in 50 states and 40 countries. Starting with our 10th season Manifest launched a new ongoing series of exhibits focusing on works by artists living in our own three-state region. Four years ago we added projects that also focused on other definable regions outside our own. These Regional Showcases were offered to complement the ordinarily very wide geographical makeup of most of our exhibits with a closer look at what's being done here in our own backyard, as well as provide a platform from which we can examine the trends, qualities, and idiosyncrasies of contemporary art within specific geographical areas and compare them to our own.

For our sixth year of exhibits showcasing works from other regions we decided to feature regions which, like with state-based comparisons we've done before, represent distinctly different geographical areas of our country. NEW ENGLAND and the GULF SOUTH each offer large populations and art-rich metropolitan cultures, as well as broad rural areas, which provides a starting point for conversation about the resulting simultaneous exhibitions. Representing six and five states respectively, these two regions are home to major international art centers and educational institutions which are involved in the global art scene. (Previously Illinois and Pennsylvania, Texas and Minnesota, Michigan and Florida, and New York and California showcases provided strong and visible contrasts in our gallery.)

Manifest's several-member blind jury process reviewed 248 works by 77 artists in New England and the Gulf South (Maine, Vermont, New Hampshire, Massachusetts, Rhode Island, Connecticut, and Texas, Louisiana, Mississippi, Alabama, Florida) for this two-exhibit parallel regional survey. Nine works by the following 5 artists from New England were selected for exhibition and will also be featured in the Manifest Exhibition Annual publication (MEA) at the close of the season.

Presenting works by:

Beverly Barber
Brookline, Massachusetts

Donald Beal
Provincetown, Massachusetts

Alayna Coverly
Arlington, Massachusetts

Laura Sanda
Kingston, Massachusetts

Patricia Schappler
Bedford, New Hampshire

    Alayna Coverly

    Donald Beal

parallel space

GULF SOUTH
Regional Showcase

In our first fourteen seasons Manifest's projects included works by artists in 50 states and 40 countries. Starting with our 10th season Manifest launched a new ongoing series of exhibits focusing on works by artists living in our own three-state region. Four years ago we added projects that also focused on other definable regions outside our own. These Regional Showcases were offered to complement the ordinarily very wide geographical makeup of most of our exhibits with a closer look at what's being done here in our own backyard, as well as provide a platform from which we can examine the trends, qualities, and idiosyncrasies of contemporary art within specific geographical areas and compare them to our own.

For our sixth year of exhibits showcasing works from other regions we decided to feature regions which, like with state-based comparisons we've done before, represent distinctly different geographical areas of our country. NEW ENGLAND and the GULF SOUTH each offer large populations and art-rich metropolitan cultures, as well as broad rural areas, which provides a starting point for conversation about the resulting simultaneous exhibitions. Representing six and five states respectively, these two regions are home to major international art centers and educational institutions which are involved in the global art scene. (Previously Illinois and Pennsylvania, Texas and Minnesota, Michigan and Florida, and New York and California showcases provided strong and visible contrasts in our gallery.)

Manifest's several-member blind jury process reviewed 248 works by 77 artists in New England and the Gulf South (Maine, Vermont, New Hampshire, Massachusetts, Rhode Island, Connecticut, and Texas, Louisiana, Mississippi, Alabama, Florida) for this two-exhibit parallel regional survey. Eight works by the following 7 artists from Gulf South states were selected for exhibition and will also be featured in the Manifest Exhibition Annual publication (MEA) at the close of the season.

Presenting works by:

Lyle Colombo
New Orleans, Louisiana

Christine Di Staola
Miami, Florida

Kurt Dyrhaug
Beaumont, Texas

Joseph Holsapple
Thibodaux, Louisiana

Ming Hong
Mississippi State, Mississippi

David Knox
New Orleans, Louisiana

Benjamin Shamback
Mobile, Alabama

     Kurt Dyrhaug

     Joseph Holsapple

     Ming Hong

central gallery

ONE 9
The 9th Annual Manifest Prize

TO BE REVEALED ON DECEMBER 13, 2018

ABOUT THE $5000 MANIFEST PRIZE
Three seasons ago our board of directors increased the Manifest Prize to $5000. This underscored our non-profit organization's desire to reward, showcase, celebrate, and document exceptional artwork being made today by working artists, and to do this in a tasteful non-commercial public context. Manifest's mission is centered on championing the importance of quality in visual art, supporting and encouraging artists at all levels. This project is one aspect of the realization of that mission.

We respect the creative principle of reduction (the blind jury process) as it is employed to achieve an essential conclusive statement for each exhibit we produce. This is what has led to the high caliber of each Manifest exhibit, and to the gallery's notable following. We believe competition does inspire excellence. Therefore we determined eight years ago to launch the Manifest Prize in order to push the process to the ultimate limit—from among many to select just ONE work.

Manifest's jury process for the 9th Annual Manifest Prize included multiple levels of jury review of 927 works by 296 artists from 40 states, Washington D.C., and 14 countries including Brazil, Canada, China, England, India, Japan, Netherlands, Poland, Russia, Scotland, Slovenia, Sweden, Thailand, and the United States. The jury consisted of a total of 18 different volunteer jurors from across the U.S. Each level of the process resulted in fewer works passing on to the next, until a winner was reached. The size and physical nature of the works considered was not a factor in the jury scoring and selection.

It should be noted that the winner and finalists, 11 works, represent the top scoring 1% of the jury pool. The winner represents the top one-tenth of 1% of the jury pool.

The winning work will be presented in the Central Gallery from December 13, 2018 through January 11, 2019. It will be accompanied by excerpts from juror statements and the artist's statement.

The Runners-up:

Ten finalist works (runners up to the winner) will also be featured in the season-documenting Manifest Exhibition Annual publication (MEAs15). These are works by Kim Anderson (Bradenton Florida), Lisa Bryson (Jamul, California), Christopher Burk (Columbus, Ohio), Scott Hazard (Raleigh, North Carolina), Aneka Ingold (Tampa Florida), Yongjae Kim (Brooklyn, New York), Damon Mohl (Crawfordsville, Indiana), Dora Natella (Granger, Indiana), Greg Sand (Clarksville, Tennessee), and Jaye Schlesinger (Ann Arbor, Michigan).

north gallery

GEOMETRIFICATION
Art Involving Geometry

Geometry in art is older than recorded history. One might suppose that pre-historic humanity derived a sense for the importance of considering shape, size, relative position of figures, and the properties of space by observing the stars, planning and arranging shelters, decorating their own skin, creating vessels to carry food and water, and infusing their magical understanding of the order of the Universe into talismans that could carry it from person to person, and preserve it forward in time.

So it is that our civilization has been shaped by these primal relationships to formal order. Geometry in art is just one tip of a multifaceted iceberg. Whether it be the underlying compositional plan (or subliminal psychological program, if you will) of a narrative religious painting, an architectural motif of some vast Middle Eastern mosque, a scientist-artist's analysis of human proportions, or some optically tantalizing modern painting's pattern, geometry wends its way through our visual culture. Manifest set out to produce this exhibit to discover how geometry shows up in the art of today. So we offered an invitation to artists from around the world to submit for jury consideration work which is heavily influenced by, or is in some way about, geometry.

For this exhibit 107 artists submitted 331 works from 25 states, Washington D.C., and 7 countries including Canada, England, Ireland, Japan, Portugal, Scotland, and the United States. Twelve works by the following 12 artists from 8 states and England were selected by a blind jury process for presentation in the gallery and inclusion in the Manifest Exhibition Annual publication.

Presenting works by:

Helmut Amann
New York, New York

Margery Amdur
Philadelphia, Pennsylvania

Adrienne Dixon
Lexington, Kentucky

Corey Drieth
Colorado Springs, Colorado

Janet Gorzegno
Hattiesburg, Mississippi

Jessica Hancock
Noblesville, Indiana

Jenniffer Omaitz
Kent, Ohio

Sumi Perera
Redhill, England

Gibbs Rounsavall
Louisville, Kentucky

Leah Smith
Mebane, North Carolina

Gabriel Strader-Brown
Ridgewood, New York

Werner Sun
Ithaca, New York

     Sumi Perera

     Leah Smith

     Adrienne Dixon

Preview Reception: Thursday, January 24, 7-9pm
Public Opening: Friday, January 25, 6-9pm

Preview Reception: Thursday, March 7, 7-9pm
Public Opening: Friday, March 8, 6-9pm

Preview Reception: Thursday, April 18, 7-9pm
Public Opening: Friday, April 19, 6-9pm

Preview Reception: Thursday, May 30, 7-9pm
Public Opening: Friday, May 31, 6-9pm

Preview Reception: Thursday, July 11, 7-9pm
Public Opening: Friday, July 12, 6-9pm

Preview Reception: Thursday, August 15, 7-9pm
Public Opening: Friday, August 16, 6-9pm

main gallery

ARCHIVE [photo]
Photo & Lens-based Art About Archives

A FotoFocus Biennial 2018 Participating Venue Exhibition

Manifest is proud to launch its 15th season with this FotoFocus sponsored exhibition marking the gallery's fourth Biennial participation.

Commonly defined as an accumulation of records or the place they are located archives contain primary source documents that have accumulated over the course of a particular span of time, and are kept (or presented) to show the function or history of a particular person, idea, or phenomena. This competitive exhibit called for photo and lens-based works which addressed this theme in some way based on this definition.

Manifest’s own mission as a nonprofit entity is to function as an organizational archive of the artwork and artists’ histories it presents, publishes, and interacts with. This is one aspect of our 'Creative Research'. This exhibition brings together works of photographic and lens-based visual art which in one way or another, literally, formally, or figuratively, represents the concept of archive.

It provides, through its concurrent presentation with four other exhibitions, a comparison between photo and non-photo approaches, and inspires consideration of the role of visual art in the process of housing, presenting, and preserving primary source information, and of the artist’s part in the process of interpreting or feeding into the archive.

This exhibition, along with its companion exhibits, serves as the grand opening of Manifest's 15th season.

For this exhibit 47 artists from 19 states and 3 countries submitted 160 works for consideration. Sixteen works by the following 11 artists from 7 states, and Canada were selected by a blind jury process for presentation in the gallery and the Manifest Exhibition Annual publication.

Presenting works by:

Mike Callaghan
Toronto, Canada

Alyse Delaney
Brooklyn, New York

Karen Hillier
Bryan, Texas

Jieun Beth Kim
Austin, Texas

David Knox
New Orleans, Louisiana

Kent Krugh
Fairfield, Ohio

Isabella La Rocca
Danville, Kentucky

William Nourse
Amesbury, Massachusetts

Vesna Pavlovic
Nashville, Tennessee

Crystal Tursich
Columbus, Ohio

Jenny Zeller
Louisville, Kentucky

** BONUS!

Also part of the FotoFocus Biennial and sponsored by FotoFocus is the ARCHIVE [negative] project and exhibition at the Manifest Drawing Center in Madisonville.

Over the summer, Manifest Drawing Center's Resident Instructor of Photography Michael Wilson invited fourteen nationally renowned photographers to participate in ARCHIVE [negative]. For the project, each artist provided one of their original black and white negatives which then were printed in collaboration with Michael in the Manifest Darkroom. The resulting archive of photographs, some of which have never been seen beyond film, stand as both an analog record of the late 20th century and an exciting survey of the rich character of black and white film photography. Join us at Manifest Drawing Center for the opening of this two-week exhibition!

Opening and Benefit Auction: October 13, 2018, 6-9pm


PLEASE NOTE: The Exhibition will be at our our Drawing Center location in Madisonville: 4905 Whetsel Avenue. Cincinnati, Ohio 45227.

Learn more about this event including the list of participating artists, and RSVP for the opening and benefit auction here.

     Isabella La Rocca

     Vesna Pavlovic

     Karen Hillier

drawing room

CHRONICLE
Photographic Collages by Greg Sand

Greg Sand is an artist and photographer who explores the issues of existence, time and death. He works primarily with digital photography to produce work that addresses the nature of photography and its role in defining reality. Sand received his BFA in Photography from Austin Peay State University in 2008. He has won the acclaim of both jurors and audiences, winning numerous awards and honors. In 2009, Sand was selected by critic Catherine Edelman and the Griffin Museum of Photography as one of "the most exciting new artists emerging in the world of photography." Sand currently lives and works in Clarksville, Tennessee. He is represented by the Cumberland Gallery in Nashville, Tennessee, and exhibits across the United States.

Of his work the artist states:

"In ‘Chronicle’ I combine 1/2” and 1” square pieces that I have cut from found photographs to examine the fragmentation of memories. When recalling our childhood, we may remember the shoes our father always wore or the way our mother held her hands: a part represents the whole. Photographs function in a similar manner. They do not show a whole person or an entire life, but instead capture a single moment. These keepsakes help determine some of the pieces of memory that stick with us.       

This series started as an exploration of the overwhelming scope of humanity and human history versus the insignificance of the individual. I wanted to find a visual representation of the 6,393 deaths that occur every hour in the world. I made the piece ‘Chronicle: Passing (6,393 Per Hour)’ to try to comprehend this staggering figure. I moved on to other subjects that became more about the nature of memory. The themes of death and loss are still present throughout the series—most blatantly in the images of funerary flowers and disembodied shadows—as the source photos I use often have a built-in sense of history and sadness.”

This exhibition is one of 7 selected from among 145 solo proposals submitted for consideration for Manifest’s 15th season.

parallel space

Stories We Tell Ourselves
Constructed Photographs by Dominic Lippillo

Dominic Lippillo's work questions the role of photography by making digitally constructed images that address notions of space versus place, memory, and experience. His work is included in the permanent collections of The Museum of Photographic Art; The Museum of Fine Arts, Houston; The University of Alabama, Tuscaloosa; and the University of North Dakota. Publications where his work is featured include Don't Take Pictures, Mono Chroma, Exposure, Daily Serving, and The Eye of Photography. He is a recipient of a South Arts Fellowship (2018), a Mississippi Arts Commission Visual Artist Fellowship (2016), and the Mississippi State University Faculty Research Award for the College of Architecture, Art and Design (2013). He earned his MFA in Photography from Ohio University (2009) and a BFA in Photography from Youngstown State University (2005). Lippillo is an Associate Professor of Photography at Mississippi State University. 

Of his work the artist states:

"Throughout the series, “Stories We Tell Ourselves”, memory, landscape, vernacular images, and narrative coalesce in a series of constructed photographs. Drawing influence from my experiences, American Scene painting, and the settings found in Raymond Carver’s short stories where melancholy is balanced by curiosity, I seek out non-specific American landscapes to photograph and embellish by adding atmospheric conditions and appropriated figures that are alien to the landscapes.

I begin the process for this series by photographing unoccupied suburban and rural areas to serve as backdrops of the everyday. I then search through my collection of anonymous vernacular images—photographs with unknown internal and external contexts—that have been purchased in secondhand shops to find figures to inhabit the minimalistic scenes. In doing so, a pensive human presence appears as an rückenfigur contemplating the landscape for the viewer to identify with, or as a visual device to direct the viewer’s gaze in or out of the frame. I approach finding the locations to photograph, and choose the figures to appropriate, with an eye for ambiguity and an irrational attraction and fascination to unassuming details, thus allowing my mind to wander outside of the confines of my eye’s visual field.

In these re-contextualized photographic realities the landscapes and figures share a symbiotic relationship, which allows them to transcend time, space, and experience due to their juxtaposition. By creating composite photographs I am inviting the viewer to impose new meanings and create their own re-telling’s of the stories intertwining the anonymous figures and unspecified locations.”

Listen in on a podcast interview with Dominic:


This exhibition is one of 7 selected from among 145 solo proposals submitted for consideration for Manifest’s 15th season.

central gallery

WHITEWASHED
Photographs by Wes Battoclette

Wes Battoclette is a Cincinnati-based artist using photography as his primary medium. He was educated in Fine Art earning his BFA at the University of Cincinnati’s College of Design, Architecture, Art, and Planning in 2008. A focus of his work is centered around redefining perceptions of architecture and the landscape through photography, often utilizing new technologies and techniques to transform the final image.

Of his work the artist states:

"The Whitewashed Series explores ways in which the absence of color can erase assumptions of a space and let your mind transform its past and present into something fresh and desirable.

I was first drawn to these buildings while driving through a busy area full of color one overcast day. Right in the middle of all this was an abandoned whitewashed building trying its best to conceal itself.  To me however it stood out like a blinding light.

The atmosphere around these buildings plays a vital part in the series. Finding that magic moment of overcast adds a very personal connection as if the building is pulling me into its void.”

This exhibition is one of 7 selected from among 145 solo proposals submitted for consideration for Manifest’s 15th season.

north gallery

ARCHIVES
Non-Photo-Based Art About Archives

ARCHIVES invited artists to consider the meaning of the concepts 'primary source, preservation, collective data, accumulation, time, history, reflection, etc.' as they considered the potential for works fitting into or addressing the over arching theme of this show. We were eager to see just how artists make work in any non-photo-based media or genre (painting, drawing, collage, printmaking, sculpture, mixed media, and non-traditional art, etc.) which in some way addresses the theme of ARCHIVES. As Manifest has done before, this exhibit sets out to provide a counterpoint to the FotoFocus Biennial themed photo-specific exhibition in our Main Gallery, thereby providing the viewer a valuable opportunity to compare and contrast the role of media and creative processes in the resulting work which is, nevertheless, united by theme.

For this exhibit 37 artists from 14 states, Washington D.C., and 3 countries submitted 79 works for consideration. Nine works by the following 5 artists from 4 states, and Ireland were selected by a blind jury process for presentation in the gallery and the Manifest Exhibition Annual publication.

Presenting works by:

Amy Dean
Clarksville, Tennessee

Ashly Griffith
New Orleans, Louisiana

Curt Lund
St Paul, Minnesota

Seamus O’Rourke
Dublin, Ireland

Jonathan Ware
Lexington, Kentucky

     Amy Dean

    Curt Lund

Preview Reception: Thursday, November 8, 7-9pm
Public Opening: Friday, November 9, 6-9pm

main gallery + drawing room

ANIMALIS
The Animal in Contemporary Art

Images of animals in art have existed parallel to those of humans for as long as images (and objects) have been made by people. Our social, creative, and psychological evolution is inextricably tied to our relationships with animals. Whether it be the taming of the wolf, resulting in 'man's best friend', the tethering of the horse which magnified the power and geographic reach of humans, or the domestication of herd animals which contributed to the establishment of cities and large concentrations of people (and the growth of culture), they are all part of the trajectory of humanity to this point in time. All have been documented, explored, and deified throughout the long process by images and objects featuring animals.

But this isn't just history (and pre-history). The animal remains a powerful subject in current art. So Manifest has chosen once again* to coordinate an exhibit that reveals the state of the animal in art. For this purpose we called for artists working in any media to submit works that in some way feature or address animals, real or imagined.

For the resulting exhibit 144 artists from 31 states and 9 countries submitted 434 works for consideration. Thirty works by the following 24 artists from 16 states, and England were selected by a blind jury process for presentation in the gallery and inclusion in the Manifest Exhibition Annual publication.

Presenting works by:

Brandin Baron
San Francisco, California

Cara DeAngelis
Brookfield, Connecticut

Virmarie DePoyster
North Little Rock, Arkansas

Mitch Eckert
Louisville, Kentucky

Felicia Forte
Hamtramck, Michigan

Sarah Fox
San Antonio, Texas

Jenny Freestone
Takoma Park, Maryland

Mark Hosford
Nashville, Tennessee

Brian Kreydatus
Williamsburg, Virginia

Kristen Leonard
Brooklyn, New York

Beauvais Lyons
Knoxville, Tennessee

Laura Mathews
Nottingham, England

Leighton McWilliams
Arlington, Texas

Ally Morgan
Gaithersburg, Maryland

Daniella Napolitano
Little Rock, Arkansas

Rhea O’Neill
Scotts Valley, California

Jessica Orfe
Honolulu, Hawaii

Nathan Perry
Clyde, North Carolina

Bill Price
Memphis, Tennessee

Masako Roberts
Newark, New Jersey

Matthew Schenk
Grand Rapids, Michigan

Nikki Vahle-Schneider
Isanti, Minnesota

Paula Willmot Kraus
Dayton, Ohio

Gretchen Woodman
Nottingham, New Hampshire

*previously Manifest produced KINGDOM (2014) and BESTIARY (2010), two exhibits exploring the same theme.

     Mitch Eckert

     Sarah Fox

     Laura Mathews

     Gretchen Woodman

parallel space

SOIL & DIRT
Art Exploring Two Fundamental Aspects

While they may seem beneath us, these two elements—one full of life and nourishment, the other devoid of organic value and spent of energy—soil and dirt are nevertheless the things we're made of, and live upon. We at Manifest believe the concepts of Soil and Dirt represent an interesting lens through which to filter an exhibition of visual art, whether by primarily metaphoric means, or literal examination. We encouraged artists working in all media to consider their relationship, and that of their work, to these two worldly aspects, and invited them to share what they found relevant.

For this exhibit 51 artists from 24 states and 2 countries submitted 153 works for consideration. Nine works by the following 8 artists from 7 states were selected by a blind jury process for presentation in the gallery and inclusion in the Manifest Exhibition Annual publication.

Presenting works by:

Megan Curran
Geneva, Illinois

Tracy Danet
Mokena, Illinois

Jeanne Dodd
Sanford, Michigan

Ed Erdmann
Menomonie, Wisconsin

Sarah Jantzi
Valparaiso, Indiana

Judith Kruger
Litchfield, Connecticut

Kaitlyn Jo Smith
Tucson, Arizona

Kathleen Taylor
Santa Fe, New Mexico

    Kaitlyn Jo Smith

     Kathleen Taylor

    Judith Kruger

central Gallery + north Gallery

PLEIN AIR
Art Made Outdoors

The edge of the sea is a strange and beautiful place.

— Rachel Carson

It may be only most recent history, due to convenience and the susceptibility of media to the elements, that finds art making happening primarily indoors—often, for some artists, in the same space year after year. Despite our modern comfort, the process of making art has a long lineage in the outdoors. At Manifest we wonder what the context of creation does to the content of the creation. Obviously plein air can be interpreted in a traditional way as 'painting outdoors', ostensibly painting the outdoors. But we are also interested in what else it could mean, in today's world. What other processes and results may be occurring in current art that qualify as plein air, regardless of whether or not they appear related to the traditional images we might conjure from art history? And what does the process of making art outdoors do for the art itself?

The collection of work that resulted from our query includes a dominant proportion of the former—exceptional examples that echo the traditional. These are accented neatly by a handful of works that defy ordinary expectations for such a theme. We believe the dialogue between the two makes the whole all the more interesting in the gallery.

For this exhibit 57 artists from 23 states and 3 countries submitted 185 works for consideration. Twenty-seven works by the following 15 artists from 12 states were selected by a blind jury process for presentation in the gallery and inclusion in the Manifest Exhibition Annual publication.

Presenting works by:

David Andree
Fayetteville, Arkansas

Martin Geiger
Staunton, Virginia

Brittany Gilbert
Greensboro, North Carolina

John Lasater
Siloam Springs, Arkansas

Clayton Lewis
Ann Arbor, Michigan

Michael McCaffrey
Lawrence, Kansas

Oliver Meinerding
Ft. Mitchell, Kentucky

Joe Morzuch
Mississippi State, Mississippi

Claudia O'Steen (with Aly Ogasian) 
Rock Hill, South Carolina

Nathan Perry
Clyde, North Carolina

Scott Ramming
Cincinnati, Ohio

Christopher Ryan
Cleveland Heights, Ohio

Mimi Sheiner
El Cerrito, California

Abigail Smithson
Redwood City, California

Jesse Thomas
Portland, Oregon

     David Andree

     Scott Ramming

     Nathan Perry